Born in Cambridge Christopher Purves was a choral scholar at King’s College Cambridge where he studied English. On leaving university he joined the highly innovative rock & roll group Harvey and the Wallbangers, touring and recording, before he was offered the opportunity to sing Don Pasquale with Opera 80. He subsequently appeared in Mozart’s Mass in C in Aix-en-Provence with Harry Christophers and The Sixteen, followed by his debut at English National Opera as Masetto in Don Giovanni.
In a close collaboration with the director Richard Jones, Christopher has enjoyed much critical acclaim for his interpretations of Wozzeck at Welsh National Opera, Tonio Pagliacci for English National Opera and more recently the title role in Falstaff at the Glyndebourne Festival and Beckmesser in Die Meistersinger for Welsh National Opera.
Further operatic appearances include Marco Gianni Schicchi at Covent Garden, Lescaut Manon Lescaut and Balstrode Peter Grimes for Opera North, the title role in Don Giovanni and The General in James Macmillan’s The Sacrifice for Welsh National Opera, Alcina at the Bayerische Staatsoper in Munich and Sharpless in Anthony Minghella’s production of Madama Butterfly for English National Opera. Christopher made his Salzburg debut in Katie Mitchell’s production of Nono’s Al gran sole carico d’amore, a production revived at the Staatsoper in Berlin. He created the role of Executioner in James Macmillan’s Ines de Castro for Scottish Opera and appeared in Parthenogenesis also by Macmillan at the Edinburgh International Festival. In the 2010/11 season Christopher made his debut at Houston Grand Opera as Balstrode in Peter Grimes and at the Netherlands Opera as Redburn in Billy Budd. In London he sang Méphistophélès in Terry Gilliam’s acclaimed production of The Damnation of Faust for ENO, which won the Southbank Sky Arts 2012 opera award.
On the concert platform Christopher has appeared in performances of Beethoven Symphony 9 with the Orchestra of the Age of Enlightenment, Aci, Galatea e Polifemo and Acis & Galatea with the Gabrieli Consort and Paul McCreesh at the Wigmore Hall and Alexander’s Feast and Nelson Mass with the Scottish Chamber Orchestra. He made his debut as a recitalist at the Aldeburgh Festival and subsequently at Opera North and Kettle’s Yard in Cambridge for performances of Schubert’s Schwanengesang with Simon Lepper. Recordings include the title role Le Nozze di Figaro for Chandos Records, Messiah with Harry Christophers and The Sixteen and Maria di Rohan for Opera Rara.
Engagements in 2011/2012 include: Mahler’s 8th Symphony at the Casa da Musica in Porto, Nick Shadow The Rake’s Progress for Opéra de Lille, Balstrode Peter Grimes for La Scala, Handel’s Judas Maccabeus for BBC Proms and a new George Benjamin commission Written on Skin, which premieres at the Festival d’Aix en Provence. Future engagements include: further performances of Written on Skin at the Netherlands Opera, Covent Garden, Bayerische Staatsoper Munich, Toulouse and L’Opéra Comique de Paris, Walt Disney in Phillip Glass’ The Perfect American for Teatro Real Madrid and ENO, his debut at Chicago Lyric Opera as Sharpless in Madama Butterfly, a return to Houston Grand Opera as Alberich in his first Das Rheingold, Siegfried and Götterdammerung.