Alison Rose is the winner of the 2015 Maggie Teyte Prize and a 2017 Leonard Ingrams Award. She studied on the Opera course at the Guildhall School of Music and Drama and was a National Opera Studio Young Artist for the 15/16 season.
Concert highlights include Vaughan Williams’ Serenade to Music at the BBC Last Night of the Proms 2016, Handel’s Messiah at the Royal Albert Hall, Iain Burnside’s musical play Shining Armour with Roderick Williams and Victoria Newlyn, Britten’s Les Illuminations at the Southwell Music Festival and solo recitals at the Oxford Lieder Festival and the Royal Opera House Crush Room.
Operatic roles include; Barbarina, Le nozze di Figaro (Garsington Festival Opera), Vixen, The Cunning Little Vixen (Grimeborn Festival / Arcola Theatre), Frasquita, Carmen (understudy for Glyndebourne Festival Opera); Lady in Waiting, Gloriana (St Endellion Festival); Miranda, Arnold's The Dancing Master (GSMD); Bětuška, Dvořák’s The Cunning Peasant (GSMD); Die Fledermaus (Clonter Opera) and Servilia, La Clemenza di Tito (RNCM).
Performances at the National Opera Studio included residencies with Opera North, Welsh National Opera, and a performance of Contemporary Opera Scenes at Sadler’s Wells.
Recent performances include her debut with English National Opera as Barbarina in Mozart’s The Marriage of Figaro. She will be performing the role of Governess for Bury Court Opera’s production of Britten’s The Turn of the Screw in 2019. Alison continues her studies in London with Gary Coward.