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Cheryl Frances-Hoad


Cheryl's music has been described as “like a declaration of faith in the eternal verities of composition” (The Times), with “a voice overflowing not only with ideas, but also with the discipline and artistry necessary to harness them” (The Scotsman). Classical tradition, along with diverse contemporary inspirations including literature, painting, and dance have contributed to a creative presence provocatively her own. Her works include From the Beginning of the World, a setting of Tycho Brahe's remarkably prescient thesis on the Great Comet of 1577 (BBC Proms, 2015), Pay Close Attention, a homage to electronic music gods The Prodigy, The Whole Earth Dances, a quintet influenced by the local landscape and the poetry of Ted Hughes (Spitalfields Festival, 2016) and Game On, a duet for piano and Commodore 64 inspired by Game Theory and the crimes of bankers (NonClassical at the Dalston Victoria, 2016).

Most recently she collaborated with librettist Tamsin Collison on Last Man Standing, a 25 minute work for baritone and orchestra to commemorate the Armistice, which was premiered at the Barbican by Marcus Farnsworth and the BBC Symphony Orchestra under Martyn Brabbins on the 30th November.​

Cheryl wrote her first piece within weeks of taking up the 'cello aged 7, and despite some early disasters (her first string orchestra piece was thrown out by the school conductor due to mistakes in her hand-copied parts) Cheryl's desire to compensate for her chronic shyness through composing remained unquashed. At 15 she won the BBC Young Composer of the Year Competition, and it was during the first performance of her Concertino for 'Cello, Piano, Percussion and Orchestra, by cellist Peter Dixon and the BBC Philharmonic that she became convinced that her life had to be in composition.​

Twenty years on, Cheryl's obsessive dedication, imperviousness to rejection, inherent thriftiness and endless stamina for filling in funding applications has resulted in her working full time as a composer. She has a Double First from Cambridge University, a PhD from Kings College London and has been awarded many prizes, scholarships and residences: a full list can be found here. Three CD's of her work have been released on the Champs Hill Records label, with two more albums due out in the next 18 months. Her output addresses all genres from opera, ballet and concerto to song, chamber and solo music, reaching audiences from the Proms to outreach workshops. Recent works include a piano concerto for Ivana Gavric and the Southbank Sinfonia.

Related Songs

Composed Title
"Yet With Time's Cycles Forests Swell"
[piano interlude]
A lot was to happen
Bogoroditse Dyevo
Brief Encounter
Cetacean Introduction
City of Song-Ghosts [Narrator reprise]
Contemplation (homage to Grieg)
Elinora’s letter [some salt-water damage to the text] 1516
Endless Forms Most Beautiful
Everything Grows Extravagantly
For fifty years
For twelve winters
Hamster Man
He rippled down the rock
In off the moors
In the chill
In the Dew (homage to Janacek)
Le vampire
Let's Do It
Lily Maynard
Lullaby (homage to Schubert)
Magic Lantern Tales
Marching Through Time
Melmoth’s Serenade (2020)
New Moon
Night Journey
One Life Stand
Rita the Pirate
Rubbish at Adultery
Shadow Boy
Shipwreck gossip [Old Biddy Brannington] 1816
Six Songs of Melmoth
Skig the Warrior
Stolen Rhythm (homage to Haydn)
The Ballad of Harry Holmes
The Cycle
The Garden
The Geat People
The painting [Narrator] 1816
The pros and cons
The Shadow Tree
The Thought Machine
Then he drew himself up
Then his rage
Thermodynamics of Immortality
Tide to Land
To the Palaeontologists
Un canard hors de l'eau (homage to Ravel)
Une Charogne
When Hrothgar arrived

Worked with the following poets texts