Bring and Sing
14 October 2017, 12:00 - 14:15
A chance for one and all to tread the boards of the Holywell Music Room. To book a place, please buy a ticket. Sophie will be in touch within 5 working days from receipt of your booking. If you have any questions prior to making a booking, please email her at [email protected].
Programme
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Robert Schumann (1810 - 1856)
Widmung (Op. 25 no.1) from Myrthen -
Franz Schubert (1797 - 1828)
Der Tod und das Mädchen (D531) - Ganymed (D544)
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Heinrich Heine (1797 - 1856)
Hör ich das Liedchen klingen (Schumann Dichterliebe No 10) from Lyrisches Intermezzo Robert Schumann (1810 - 1856)
Frauenliebe und -leben (Op. 42)
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Franz Schubert (1797 - 1828)
An den Mond (D193) - Erlkönig (D328)
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Ludwig van Beethoven (1770 - 1827)
Ich liebe dich (Zärtliche Liebe) (WoO 123) -
Johannes Brahms (1833 - 1897)
An die Nachtigall (Op. 46 no.4) - Junge Lieder I: Meine Liebe ist grün (Op. 63 no.5)
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Richard Strauss (1864 - 1949)
Du meines Herzens Krönelein (Op. 21 no.2) -
Reynaldo Hahn (1873 - 1947)
A Chloris -
Gustav Mahler (1860 - 1911)
Ich bin der Welt abhanden gekommen (G. Mahler) from Rückert-Lieder -
Johannes Brahms (1833 - 1897)
Wie Melodien (Op. 105 no.1) from Fünf Lieder (Op. 105) -
Sir Charles Villiers Stanford (1852 - 1924)
My Love's an Arbutus -
John Ireland (1879 - 1962)
Sea Fever -
Richard Strauss (1864 - 1949)
Allerseelen (Op. 10 no.8) from 8 Gedichte aus ‘Letzte Blätter’ - Zueignung (Op. 10 no.1) from 8 Gedichte aus ‘Letzte Blätter’
- Traum durch die Dämmerung (Op. 29 no.1)
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Hugo Wolf (1860 - 1903)
Wenn du mich mit den Augen streifst und lachst (no.38) from Italienisches Liederbuch Maurice Ravel (1875 - 1937)
Don Quichotte à Dulcinée
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This event is part of a series:
The Last of the Romantics - Mahler and fin-de-siècle Vienna
Please click here to view the full Festival brochure. Vienna at the turn of the twentieth century was a vibrant melting pot for music and the arts. Whirling waltzes sat alongside gargantuan symphonies. The height of romanticism had been reached but was nearly exhausted and on the brink of a whole new musical language. Tradition - with Brahms a holder of the torch - ...