Skip to main content

Events > 2017


Rückert Lieder: Thomas Oliemans & Malcolm Martineau

21 October 2017, 19:30


Waiting List Only

Sorry, this event is sold out, but you can add yourself to the waiting list.
We'll be in touch if any tickets are returned.

Have you considered...

Concert

Evening


Thumbnail of Holywell Music Room

Holywell Music Room

Holywell St
Oxford
OX1 3BN



Please note that Sylvia Schwartz is unwell and has regretfully had to withdraw from this concert. We are very grateful to Thomas Oliemans for stepping in at short notice.


Programme


Artist Portrait

Thomas Oliemans

Thomas Oliemans

Baritone

Winner of the 2013 Prix d'Amis of the Dutch National Opera in Amsterdam for his portrayal of Papageno in Simon McBurney's production of Die Zauberflöte, THOMAS OLIEMANS’ operatic roles have included Lescaut/Manon, Marcello and Schaunard/La Boheme, Hercule/Alceste, Gugliemo/Cosi fan tutte, Donner/Das Rheingold, the title role in Hamlet, Il Conte di Almaviva and Figaro/Le Nozze di Figaro, Silvio de Nardi/Bomarzo, Mr Redburn/Billy Budd, Eisenstein/Die Fledermaus, Harlequin/Ariadne auf Naxos, Figaro/Il Barbiere di Siviglia, Gu... Read Full Biography
Artist Portrait

Malcolm Martineau

Malcolm Martineau

Pianist

Malcolm Martineau was born in Edinburgh, read Music at St Catharine's College, Cambridge and studied at the Royal College of Music. Recognised as one of the leading accompanists of his generation, he has worked with many of the world’s greatest singers including Sir Thomas Allen, Dame Janet Baker, Olaf Bär, Barbara Bonney, Ian Bostridge, Angela Gheorghiu, Susan Graham, Thomas Hampson, Della Jones, Simon Keenlyside, Angelika Kirchschlager, Magdalena Kozena, Solveig Kringelborn, Jonathan Lemalu, Dame Felicity Lott, Christophe... Read Full Biography

This event is part of a series:

The Last of the Romantics - Mahler and fin-de-siècle Vienna

Please click here to view the full Festival brochure.    Vienna at the turn of the twentieth century was a vibrant melting pot for music and the arts. Whirling waltzes sat alongside gargantuan symphonies. The height of romanticism had been reached but was nearly exhausted and on the brink of a whole new musical language. Tradition - with Brahms a holder of the torch - ...