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Events > 2017


Motets at Merton

21 October 2017, 22:00


Recital

Late Night Sacred music


This event will be broadcast from Merton College Chapel


Event Featured Image

One of Oxford's finest chapel choirs presents a programme of motets by Brahms and composers he would have conducted as director of the Wiener Singakademie, including Schütz, Gabrieli and Bach. Also included is a rare arrrangement of Mahler's 'Ich bin der Welt abhanden gekommen' from the Rückert Lieder.


Programme


Artist Portrait

Choir of Merton College, Oxford

Choir of Merton College, Oxford

Ensemble

The Choir of Merton College is known internationally through its tours, recordings and broadcasts. Recent concert tours have included Italy, Sweden, France and the USA, and in December 2018 the choir made its first visit to Singapore and Hong Kong. Performances in 2016 included Mozart’s Requiem in Toulouse, and engagements at Washington National Cathedral and St Thomas Church, Fifth Avenue, New York, and in 2017 the choir sang the first ever Anglican Service in St Peter’s Basilica, Rome, which was broadcast on BBC Radio 3. Recent... Read Full Biography
Artist Portrait

Benjamin Nicholas

Benjamin Nicholas

Conductor

Benjamin Nicholas is Reed Rubin Organist & Director of Music at Merton College, Oxford and Principal Conductor of The Oxford Bach Choir. As a conductor, he has appeared with the City of Birmingham Symphony Orchestra, City of London Sinfonia, Royal Philharmonic Orchestra, London Mozart Players, The BBC Singers and The Holst Singers in works such as Elgar’s The Dream of Gerontius, Vaughan Williams’ Sea Symphony, Holst’s Savitri and Duruflé’s Requiem. During Benjamin’s time at Merton, the annual Pass... Read Full Biography

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This event is part of a series:

The Last of the Romantics - Mahler and fin-de-siècle Vienna

Please click here to view the full Festival brochure.    Vienna at the turn of the twentieth century was a vibrant melting pot for music and the arts. Whirling waltzes sat alongside gargantuan symphonies. The height of romanticism had been reached but was nearly exhausted and on the brink of a whole new musical language. Tradition - with Brahms a holder of the torch - ...

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