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Events > 2017


Die Schöne Müllerin: Roderick Williams & Iain Burnside

23 October 2017, 20:00


Concert

Evening


Thumbnail of Saint John the Evangelist

Saint John the Evangelist

Iffley Road,
Oxford,
OX4 1EH



Schubert's pioneering song cycle, Die schöne Müllerin, which influenced composers up to, including and beyond Mahler, is given star treatment in this concert, sure to be a highlight of the Festival.


Artist Portrait

Roderick Williams

Roderick Williams

Baritone

Roderick Williams is active in the opera house, on the concert platform and in recital, encompassing a repertoire from the baroque to world premieres. In 2016 he won the Royal Philharmonic Society’s Singer of the year award. Opera engagements have included for Royal Opera House Covent Garden Schaunard/La bohème and Ned Keene/Peter Grimes; for English National Opera Papageno/Die Zauberflöte, Pollux in Rameau’s Castor and Pollux, and Jaufre Rudel in Saariaho’s L’amour de loin ,as well as world premie... Read Full Biography
Artist Portrait

Iain Burnside

Iain Burnside

Pianist

Iain Burnside is a pianist who has appeared in recital with many of the world’s leading singers (“pretty much ideal” BBC Music Magazine). He is also an insightful programmer with an instinct for the telling juxtaposition. His recordings straddle an exuberantly eclectic repertoire ranging from Beethoven and Schubert to the cutting edge, as in the Gramophone Award-winning NMC Songbook. Recent recordings include the complete Rachmaninov songs (Delphian) with seven outstanding Russian artists (“the results are electrifyi... Read Full Biography

Tickets

Call: 01865 591 276

Tickets
Front Stalls
Standard Ticket
£40.00 SOLD OUT
Middle Stalls
Standard Ticket
£30.00 SOLD OUT
Rear Stalls £20.00
Aisle £10.00
Aisle
Under 35s Ticket
£5.00

This event is part of a series:

The Last of the Romantics - Mahler and fin-de-siècle Vienna

Please click here to view the full Festival brochure.    Vienna at the turn of the twentieth century was a vibrant melting pot for music and the arts. Whirling waltzes sat alongside gargantuan symphonies. The height of romanticism had been reached but was nearly exhausted and on the brink of a whole new musical language. Tradition - with Brahms a holder of the torch - ...