23 October 2017, 21:30
43 Iffley Rd, Oxford OX4 1EA, UK
The second part of the Piatti Quartet’s evening in Oxford is in a very different setting: our own ‘salon’, where the bar will be open and you’ll hear Schoenberg’s striking Second String Quartet alongside a seemingly opposing side of his character in the form of his mischievous and sometimes outrageous cabaret songs. We also present the world premiere of a new work for quartet and voice.
Arnold Schoenberg (1874 - 1951)
- Galathea from Brettl-Lieder [Cabaret Songs]
- Gigerlette from Brettl-Lieder [Cabaret Songs]
- Der genügsame Liebhaber from Brettl-Lieder [Cabaret Songs]
- Langsamer Walzer (from Schikaneder's Mirror of Arcadia) from Brettl-Lieder [Cabaret Songs]
SopranoWinner of the National Mozart Competition 2015, Raphaela Papadakis is a British soprano of Greek, Italian and Seychellois descent. Whilst still a student at the Guildhall School of Music & Drama, she made her professional début at Garsington Opera, for which she was praised by the Financial Times as giving ‘the most attractive solo performance’ of the show. Since then, she has performed roles with Independent Opera and Bury Court Opera, and covered at the Royal Opera House and the Berlin Staatsoper. Recent and future r... Read Full Biography
PianistSholto Kynoch is a sought-after pianist who specialises in chamber music and song accompaniment. In addition to a busy performance schedule and a fast-growing discography, he is the founder and director of the Oxford Lieder Festival, the UK’s most renowned song festival, which recently won a prestigious Royal Philharmonic Society Award. In recent years he has appeared at London’s Wigmore Hall, the Palau de la Música in Barcelona, the Berliner Konzerthaus, the Victoria Concert Hall in Singapore, the Opéra de Lille... Read Full Biography
This event is part of a series:
Please click here to view the full Festival brochure. Vienna at the turn of the twentieth century was a vibrant melting pot for music and the arts. Whirling waltzes sat alongside gargantuan symphonies. The height of romanticism had been reached but was nearly exhausted and on the brink of a whole new musical language. Tradition - with Brahms a holder of the torch - ...