23 October 2017, 21:30
43 Iffley Rd
The second part of the Piatti Quartet’s evening in Oxford is in a very different setting: our own ‘salon’, where the bar will be open and you’ll hear Schoenberg’s striking Second String Quartet alongside a seemingly opposing side of his character in the form of his mischievous and sometimes outrageous cabaret songs. We also present the world premiere of a new work for quartet and voice.
Arnold Schoenberg (1874 - 1951)
- Galathea from Brettl-Lieder [Cabaret Songs]
- Gigerlette from Brettl-Lieder [Cabaret Songs]
- Der genügsame Liebhaber from Brettl-Lieder [Cabaret Songs]
- Langsamer Walzer (from Schikaneder's Mirror of Arcadia) from Brettl-Lieder [Cabaret Songs]
SopranoLondon born soprano Raphaela Papadakis, winner of the National Mozart Competition, made her professional début at Garsington Opera whilst still a student at the Guildhall School, for which she was praised by the Financial Times as giving "the most attractive solo performance" of the show. Since then, she has gone on to perform roles with Independent Opera and Bury Court Opera, and covered at Glyndebourne Festival Opera, the Royal Opera House and the Berlin Staatsoper. Operatic highlights this year include appearing as Mozart... Read Full Biography
PianistSholto Kynoch is a sought-after pianist who specialises in song and chamber music. He is the founder and Artistic Director of the Oxford Lieder Festival, which won a prestigious Royal Philharmonic Society Award in 2015, cited for its ‘breadth, depth and audacity’ of programming. Recent recitals have taken him to Wigmore Hall, Heidelberger Frühling in Germany, the Zeist International Lied Festival in Holland, the LIFE Victoria festival and Palau de la Música in Barcelona, the Opéra de Lille, Kings Place in Lo... Read Full Biography
This event is part of a series:
Please click here to view the full Festival brochure. Vienna at the turn of the twentieth century was a vibrant melting pot for music and the arts. Whirling waltzes sat alongside gargantuan symphonies. The height of romanticism had been reached but was nearly exhausted and on the brink of a whole new musical language. Tradition - with Brahms a holder of the torch - ...