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Events > 2017


Across Borders: Ben Johnson & James Baillieu

25 October 2017, 13:10


Lunchtime Recital

Lunchtime


This event will be broadcast from Holywell Music Room


Event Featured Image

These two superb artists, both stars of the new generation, perform early songs by Mahler and explore contemporaneous developments in English song through Elgar, Parry and others, who fell under many of the same influences while finding their own different and individual voices.


Programme


Artist Portrait

Ben Johnson

Ben Johnson

Tenor

Acclaimed tenor Ben Johnson represented England in BBC Cardiff Singer of the World 2013 and won the Audience Prize. Johnson is a former BBC Radio 3 New Generation Artist, 2008 winner of the Kathleen Ferrier Award, 2011 Wigmore Hall Emerging Talent, and a 2013-2015 English National Opera Harewood Artist. Highlights of the 2018/19 season included performances as Tamino Die Zauberflöte with Welsh National Opera and as Don Basilio in Mozart’s Le Nozze di Figaro with The Grange Festival, in addition to a new production of Britten&r... Read Full Biography
Artist Portrait

James Baillieu

James Baillieu

Pianist

Born in South Africa, James studied in Cape Town and London. He was a Borletti-Buitoni Trust and Young Classical Artist Trust artist and was shortlisted for the Royal Philharmonic Society Outstanding Young Artist Award and the Chamber Music and Song Award. He is an International Tutor in Piano Accompaniment at the Royal Northern College of Music and head of the Song Programme at the Atelier Lyrique of the Verbier Festival Academy. An accomplished chamber musician, soloist and accompanist, James’ partnerships include Lawrence Power... Read Full Biography

This event is part of a series:

The Last of the Romantics - Mahler and fin-de-siècle Vienna

Please click here to view the full Festival brochure.    Vienna at the turn of the twentieth century was a vibrant melting pot for music and the arts. Whirling waltzes sat alongside gargantuan symphonies. The height of romanticism had been reached but was nearly exhausted and on the brink of a whole new musical language. Tradition - with Brahms a holder of the torch - ...

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