Social music-making in Schubert's Vienna
11 March 2018, 16:45 - 17:30
Ahead of this evening’s ‘Schubertiade’, Natasha Loges introduces the backdrop of social music making in Schubert’s circle and Vienna more widely. Much of Schubert's music was written to perform in the company of his friends, from jovial drinking songs to profound masterpieces, but was this purely characteristic of Schubert's nature, or was it the only outlet reliably open to him, or was it an escape from the iron rule of Metternich? In any case, the tradition of the 'Schubertiade' is one to savour today and this talk by the ever-insightful Natasha Loges will illuminate the final concert of the Spring Weekend of Song.
SpeakerNatasha Loges was appointed Professor of Musicology at the Hochschule für Musik Freiburg in spring 2022. Her books include Brahms and His Poets (2017), and the coedited collections Brahms in the Home and the Concert Hall (2014), Brahms in Context (2019), Musical Salon Culture in the Long Nineteenth Century (2019) and German Song Onstage (2020), and she has published various chapters and essays in edited collections. Her work has been funded by the British Academy, the Arts and Humanities Research Council, the American Musicological S... Read Full Biography
This event is part of a series:
The 2018 Spring Weekend of Song is a mid-year mini Festival, full of great music and events and with much of the special atmosphere of the main Festival. Three world-class evening recitals are surrounded and complemented by the audition recitals for the Oxford Lieder Young Artist Programme, study events and masterclasses.