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Donc, ce sera par un clair jour d'été (1894) Op.61 no.7


Part of a series or song cycle:

La bonne chanson (Op.61)


Donc, ce sera par un clair jour d'été

Donc, ce sera par un clair jour d'été
Le grand soleil, complice de ma joie,
Fera, parmi le satin et la soie,
Plus belle encor votre chère beauté;
Le ciel tout bleu, comme une haute tente,
Frissonnera somptueux à longs plis
Sur nos deux fronts qu'auront pâlis
L'émotion du bonheur et l'attente;
Et quand le soir viendra, l'air sera doux
Qui se jouera, caressant, dans vos voiles,
Et les regards paisibles des étoiles
Bienveillamment souriront aux époux.

So, on a bright summer day it shall be

So, on a bright summer day it shall be:
The great sun, my partner in joy,
Shall make, amid the satin and the silk,
Your dear beauty lovelier still;
The sky, all blue, like a tall canopy,
Shall quiver sumptuously in the long folds
Above our two happy brows, grown pale
With pleasure and expectancy;
And when evening comes, the breeze shall be soft
And play caressingly about your veils,
And the peaceful stars looking down
Shall smile benevolently on man and wife.
Translation © Richard Stokes, from A French Song Companion (Oxford, 2000)

Composer

 

​"Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style." (Wikipedia)

For more information about the life and work of Gabriel Fauré please see the Wikipedia article here.


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Poet

Paul-Marie Verlaine was a French poet associated with the Symbolist movement. He is considered one of the greatest representatives of the fin de siècle in international and French poetry.
Born in Metz, Verlaine was educated at the Lycée Impérial Bonaparte (now the Lycée Condorcet) in Paris and then took up a post in the civil service. He began writing poetry at an early age, and was initially influenced by the Parnassien movement and its leader, Leconte de Lisle. Verlaine's first published poem was published in 1863 in La Revue du progrès, a publication founded by poet Louis-Xavier de Ricard. Verlaine was a frequenter of the salon of the Marquise de Ricard (Louis-Xavier de Ricard's mother) at 10 Boulevard des Batignolles and other social venues, where he rubbed shoulders with prominent artistic figures of the day: Anatole France, Emmanuel Chabrier, inventor-poet and humorist Charles Cros, the cynical anti-bourgeois idealist Villiers de l'Isle-Adam, Théodore de Banville, François Coppée, Jose-Maria de Heredia, Leconte de Lisle, Catulle Mendes and others. Verlaine's first published collection, Poèmes saturniens (1866), though adversely commented upon by Sainte-Beuve, established him as a poet of promise and originality.

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