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Songs

Epiphanias (1891)


Part of a series or song cycle:

Goethe-Lieder


This song was recorded live at the Oxford Lieder Festival as part of Hugo Wolf: The Complete Songs on Stone Records.
Click here to listen to this song with Fllur Wyn, Rowan Hellier, Adrian Thompson, Roderick Williams and Sholto Kynoch, or click
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Epiphanias

Die heiligen drei König mit ihrem Stern,
Sie essen, sie trinken, und bezahlen nicht gern;
Sie essen gern, sie trinken gern,
Sie essen, trinken und bezahlen nicht gern.
Die heiligen drei König sind kommen allhier,
Es sind ihrer drei und sind nicht ihrer vier:
Und wenn zu dreien der vierte wär,
So wär ein heilger Drei König mehr.
Ich erster bin der weiß und auch der schön,
Bei Tage solltet ihr erst mich sehn!
Doch ach, mit allen Spezerein
Werd ich sein Tag kein Mädchen mir erfrein.
Ich aber bin der braun und bin der lang,
Bekannt bei Weibern wohl und bei Gesang.
Ich bringe Gold statt Spezerein,
Da werd ich überall willkommen sein.
Ich endlich bin der schwarz und bin der klein,
Und mag auch wohl einmal recht lustig sein.
Ich esse gern, ich trinke gern,
Ich esse, trinke und bedanke mich gern.
Die heiligen drei König sind wohlgesinnt,
Sie suchen die Mutter und das Kind;
Der Joseph fromm sitzt auch dabei,
Der Ochs und Esel liegen auf der Streu.
Wir bringen Myrrhen, wir bringen Gold,
Dem Weihrauch sind die Damen hold;
Und haben wir Wein von gutem Gewächs,
So trinken wir drei so gut als ihrer sechs.
Da wir nun hier schöne Herrn und Fraun,
Aber keine Ochsen und Esel schaun,
So sind wir nicht am rechten Ort
Und ziehen unseres Wegen weiter fort.

Epiphany

The Three Kings of Orient with their star,
They eat, they drink, and don’t like to pay;
They like eating, they like drinking,
They eat, drink and don’t like to pay.
The Three Kings of Orient have come to this place,
They are three in number and not four;
And if to the three a fourth be added,
There’d be one Three Kings of Orient more.
I, the first, am the handsome white one,
Just wait till you see me by day!
But ah! despite all my spices,
I’ll never win a girl again.
But I’m the brown one, I’m the tall one,
Well known to women and to song.
I bring gold instead of spices,
So I’ll be welcome everywhere.
I, lastly, am the little black one,
And would like a good time too for once.
I like eating, I like drinking,
I like eating, drinking and saying thank you.
The Three Kings of Orient are well-disposed,
They seek the Mother and the Child;
Pious Joseph is sitting there too,
The ox and ass lie in the straw.
We’re bringing myrrh, we’re bringing gold,
The ladies will like our frankincense;
And if we’ve wine from a fine year,
We drink enough, we three, for six.
But since we see fine squires and ladies,
But no oxen or asses here,
We cannot be in the right place,
And so must proceed on our way.
Translation © Richard Stokes, author of The Book of Lieder (Faber, 2005)

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Composer

Hugo Filipp Jakob Wolf was born on 13 March 1860, the fourth of six surviving children, in Windischgraz, Styria, then part of the Austrian Empire. He was taught the piano and violin by his father at an early age and continued to study piano at the local primary school. His secondary education was unsuccessful, leaving his school in Graz after one term and then the Benedictine abbey school in St Paul after two years for failing Latin. When, in 1875, his lack of interest in all subjects other than music led to him leaving his next school in Marburg after another two years, it was decided that he should live with his aunt in Vienna and study at the conservatoire.

In Vienna he attended the opera with his new circle of friends, which included the young Gustav Mahler, and became a devotee of Wagner. However, after only two years he was unfairly dismissed from the conservatoire for a breach of discipline, after a fellow student sent the director a threatening letter, signing it Hugo Wolf.

He continued to compose and returned to Vienna in 1877 to earn a living as a music teacher, but he did not have the necessary temperament for this vocation and would, throughout his life, rely on the generosity of friends and patrons to support him. The composer Goldschmidt took him under his wing and introduced him to influential acquaintances, as well as lending him books, music and money. It was, however, under Goldschmidt’s guidance that he paid a visit to a brothel in 1878, resulting in him contracting syphilis, which later led to his insanity and early death. This sexual initiation coincided with his first major burst of songwriting.

His mood swings and sporadic creativity were now quite pronounced, and he stayed with friends who could offer him the tranquillity and independence he needed to work. In 1881, Goldschmidt found him a post as second conductor in Salzburg, where his musical talents were greatly appreciated, but his violent quarrelling with the director led to his return to Vienna early the following year. For a while his mood brightened, but by 1883, the year of Wagner’s death, he had stopped writing music.

At this point, his future seemed uncertain. His work had been declined by publishers Schott and Breitkopf, he had writer’s block, and he quarrelled with friends. He had been teaching Melanie Köchert since 1881, and with the influence of her husband he was appointed music critic of the Sunday journal Wiener Salonblatt, for which he spent three years writing pro- Wagnerian, anti-Brahmsian pieces. Although this was useful, it did get in the way of his composition, and attempts to have his own works played were thwarted by musicians who had fallen foul of his sharp criticism.

He began to write music again in 1886, finally confident in his talents. In May 1887, his father died, and although Wolf wrote little for the rest of the year, a publisher did produce two volumes of his songs, one dedicated to his mother, the other to the memory of his father.

Again taking refuge with friends, Wolf now began a sudden, spontaneous burst of songwriting, emerging from years as a music critic and coinciding with the start of his love affair with Melanie Köchert. By March, after 43 Mörike settings, he took a break with friends and then began another spate of songwriting in September resulting in thirteen Eichendorff and more Mörike songs. He returned to Vienna and in February 1889 had finished all but one of the 51 songs of his Goethe songbook. After another summer break, he returned to writing and April 1890 saw him complete his 44 Spanish songs. By June 1890, this creative period of two and a half years had produced a total of 174 songs.

Wolf’s fame had now spread beyond Austria, with articles being written in German publications. His exhaustion and bouts of depression and insomnia meant that he wrote very little for most of 1891, but at the end of December wrote another 15 Italian songs. For the next three years, he barely wrote a note.

In April 1895, spurred on by Humperdinck’s operatic success of Hänsel und Gretel, he again began composing from dawn till dusk. By early July the piano score of his four-act opera Der Corregidor was complete, with the orchestration taking the rest of the year. It was turned down by Vienna, Berlin and Prague but finally staged in Mannheim to great success. He completed his Italian songbook with 24 songs written in the period from 25 March to 30 April 1896.

In March 1897, he wrote his last songs: settings of German translations of Michelangelo sonnets. He was, by now, clearly a sick man, but nevertheless in September he embarked on a new opera, feverishly completing sixty pages in three weeks. It was at this point that he succumbed to madness, claiming to have been appointed the director of the Vienna Opera. Under restraint, he was taken to an asylum, and although he returned home to Vienna briefly in 1898, he was returned to an institution later that year after trying to drown himself. His devoted Melanie visited him regularly until his death on 22 February 1903. He is buried in the Vienna Central Cemetery beside Schubert and Beethoven.

© 2011, Mark Stone


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Poet

Johann Wolfgang Goethe was a German writer and statesman. His body of work includes epic and lyric poetry written in a variety of metres and styles; prose and verse dramas; memoirs; an autobiography; literary and aesthetic criticism; treatises on botany, anatomy, and colour; and four novels. In addition, numerous literary and scientific fragments, more than 10,000 letters, and nearly 3,000 drawings by him exist. A literary celebrity by the age of 25, Goethe was ennobled by the Duke of Saxe-Weimar, Karl August in 1782 after first taking up residence there in November 1775 following the success of his first novel, The Sorrows of Young Werther. He was an early participant in the Sturm und Drang literary movement. During his first ten years in Weimar, Goethe served as a member of the Duke's privy council, sat on the war and highway commissions, oversaw the reopening of silver mines in nearby Ilmenau, and implemented a series of administrative reforms at the University of Jena. He also contributed to the planning of Weimar's botanical park and the rebuilding of its Ducal Palace, which in 1998 were together designated a UNESCO World Heritage Site.

Taken from Wikipedia. To view the full article, please click here.


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