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Songs

En sourdine (1891) L80


Part of a series or song cycle:

Fêtes galantes I (L80)


En sourdine

Calmes dans le demi-jour
Que les branches hautes font,
Pénétrons bien notre amour
De ce silence profond.
Fondons nos âmes, nos cœurs
Et nos sens extasiés,
Parmi les vagues langueurs
Des pins et des arbousiers.
Ferme tes yeux à demi,
Croise tes bras sur ton sein,
Et de ton cœur endormi
Chasse à jamais tout dessein.
Laissons-nous persuader
Au souffle berceur et doux
Qui vient à tes pieds rider
Les ondes des gazons roux.
Et quand, solennel, le soir
Des chênes noirs tombera,
Voix de notre désespoir,
Le rossignol chantera.

Muted

Calm in the twilight
Cast by lofty boughs,
Let us steep our love
In this deep quiet.
Let us blend our souls, our hearts
And our enraptured senses
With the hazy languor
Of arbutus and pine.
Half-close your eyes,
Fold your arms across your breast,
And from your heart now lulled to rest
Banish forever all intent.
Let us both succumb
To the gentle and lulling breeze
That comes to ruffle at your feet
The waves of russet grass.
And when, solemnly, evening
Falls from the black oaks,
That voice of our despair,
The nightingale shall sing.

Poet

Paul-Marie Verlaine was a French poet associated with the Symbolist movement. He is considered one of the greatest representatives of the fin de siècle in international and French poetry.
Born in Metz, Verlaine was educated at the Lycée Impérial Bonaparte (now the Lycée Condorcet) in Paris and then took up a post in the civil service. He began writing poetry at an early age, and was initially influenced by the Parnassien movement and its leader, Leconte de Lisle. Verlaine's first published poem was published in 1863 in La Revue du progrès, a publication founded by poet Louis-Xavier de Ricard. Verlaine was a frequenter of the salon of the Marquise de Ricard (Louis-Xavier de Ricard's mother) at 10 Boulevard des Batignolles and other social venues, where he rubbed shoulders with prominent artistic figures of the day: Anatole France, Emmanuel Chabrier, inventor-poet and humorist Charles Cros, the cynical anti-bourgeois idealist Villiers de l'Isle-Adam, Théodore de Banville, François Coppée, Jose-Maria de Heredia, Leconte de Lisle, Catulle Mendes and others. Verlaine's first published collection, Poèmes saturniens (1866), though adversely commented upon by Sainte-Beuve, established him as a poet of promise and originality.

Taken from Wikipedia. To view the full article, please click here.


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