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Der Flüchtling (1816) D402

Der Flüchtling

Frisch atmet des Morgens lebendiger Hauch;
Purpurisch zuckt durch düst’rer Tannen Ritzen
Das junge Licht und äugelt aus dem Strauch;
In gold’nen Flammenblitzen
Der Berge Wolkenspitzen.
Mit freudig melodisch gewirbeltem Lied
Begrüssen erwachende Lerchen die Sonne,
Die schon in lachender Wonne
Jugendlich schön in Auroras Umarmungen glüht.
Sei, Licht, mir gesegnet!
Dein Strahlenbruss regnet
Erwärmend hernieder auf Anger und Au.
Wie flittern die Wiesen,
Wie silberfarb zittern
Tausend Sonnen im perlenden Tau!
In säuselnder Kühle
Beginnen die Spiele
Der jungen Natur.
Die Zephyre kosen
Und schmeicheln um Rosen,
Und Düfte beströmen die lachende Flur.
Wie hoch aus den Städten die Rauchwolken dampfen!
Laut wiehern und schnauben und knirschen und strampfen
Die Rosse, die Farren;
Die Wagen erknarren
Ins ächzende Tal.
Die Waldungen leben,
Und Adler und Falken und Habichte schweben
Und wiegen die Flügel im blendenden Strahl.
Den Frieden zu finden,
Wohin soll ich wenden
Am elenden Stab?
Die lachende Erde
Mit Jünglingsgebärde,
Für mich nur ein Grab!
Steig empor, o Morgenrot, und röte
Mit purpurnem Küsse Hain und Feld!
Säusle nieder, o Abendrot, und flöte
In sanften Schlummer die tote Welt!
Morgen, ach, du rötest
Eine Totenflur;
Ach! und du, o Abendrot! umflötest
Meinen langen Schlummer nur.

The Fugitive

The lively morning breeze blows fresh;
the young light flickers crimson between the dark
pines and glints from the bushes;
the cloud-capped mountain peaks
blaze with golden flames.
Warbling their happy, melodious song
the awakening larks greet the sun
which, with joyful laughter,
glows young and fair in the dawn’s embrace.
I bless you, light!
Your rays stream down
to warm meadow and pasture.
See how the fields glitter,
and a thousand silvery suns
glisten in the pearly dew!
In the whispering coolness
young nature
begins her games.
The Zephyrs caress
and fondle the roses,
and sweet scents pervade the smiling meadows.
How high the clouds of smoke rise from the town!
Horses and bulls neigh loudly, snort,
stamp and gnash their teeth;
creaking carts
roll along the valley.
The woods are alive,
eagles, falcons and hawks hover
and move their wings in the dazzling light.
To find peace
where shall I turn
with my wretched staff?
The smiling earth,
with youthful countenance,
is but a grave for me!
Rise up, O dawn,
and with your crimson kiss tinge grove and field!
Descend with a whisper, O sunset,
and lull the dead world to gentle sleep.
Morning, you tinge with red
a land of death;
ah, and you, O sunset,
merely warble around my long sleep.

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Franz Peter Schubert was an late Classical and early Romantic composer. He produced a vast oeuvre during his short life, composing more the 600 vocal works (largely Lieder), and well as several symphonies, operas, and a large body of piano music. He was uncommonly gifted from a young age, but appreciation of his music was limited during his lifetime. His work became more popular in the decades after his death, and was praised by 19th century composers, including Mendelssohn, Schumann, Brahms, and Liszt.

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Johann Christoph Friedrich von Schiller was a German poet, philosopher, physician, historian, and playwright. During the last seventeen years of his life (1788–1805), Schiller struck up a productive, if complicated, friendship with the already famous and influential Johann Wolfgang von Goethe. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works he left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on Xenien, a collection of short satirical poems in which both Schiller and Goethe challenge opponents to their philosophical vision.

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