Songs
Le Retour
(1912)
Le Retour
Ulysse part la voile au vent,Vers Ithaque aux ondes chéries,Avec des bercements la vague roule et plie.Au large de son coeur la mer aux vastes eauxOù son oeil suit les blancs oiseauxEgrène au loin des pierreries.Ulysse part la voile au vent,Vers Ithaque aux ondes chéries!Penché oeil grave et coeur battant Sur le bec d'or de sa galèreIl se rit, quand le flot est noir, de sa colèreCar là-bas son cher fils pieux et fier attendAprès les combats éclatants,La victoire aux bras de son père.Il songe, oeil grave et coeur battantSur le bec d'or de sa galère.Ulysse part la voile au vent,Vers Ithaque aux ondes chéries.
The Return
Ulysses sets out, sails to the wind,Towards Ithaca on beloved waves,Which rise and fall and sway.Before the open sea of his heart, the vast ocean,Where his eyes follow the white birds,Scatters in the distance precious jewels.Ulysses sets out, sails to the wind,Towards Ithaca on beloved waves.Leaning, with serious gaze and beating heart,On the golden prow of his boat, He laughs at his anger, when black waves threaten,For yonder his dear, devout and proud son awaits,After astounding victories, his triumphant father.He dreams, with serious gaze and beating heart,By the golden prow of his boat.Ulysses sets out, sails to the wind,Towards Ithaca on beloved waves.
Translation © Richard Stokes, author of A French Song Companion (Oxford, 2000)
If you would like to use our texts and translations, please click here for more information.
Composer
Lili Boulanger (1893-1918) is often described as one of the most gifted composers of the twentieth century, however, her promise was cut short by early death. She achieved a degree of posthumous renown which is exceptional among women composers.
Together with her older sister Nadia, she was born into a musical family, showed early talent and received an outstanding musical education. She received lessons in organ, piano accompaniment and harmony and played the violin, cello, harp and piano.
Despite an early diagnosis of bronchial pneumonia and constant illness, she was the first woman to win the coveted Prix de Rome aged 19. Her visit to the city was soon interrupted by World War I. She returned for a few months in 1916 but was often bedridden by illness. After an operation that brought only a temporary reprieve, Boulanger focused on completing what she could before her death aged 24. 24 of 64 surviving works were published, and much of what remains is incomplete, in sketch form or lost. Religious music was especially important to her.
Boulanger left a significant contribution to song in Clairières dans le ciel, a cycle of thirteen settings of deeply reflective texts by her contemporary Francis Jammes. The poems are steeped in nostalgia and yearning, and replete with evocative natural symbols such as flowers and birds. The resultant avant-garde, luminous musical style is very distant from the salon world many contemporaries favoured. Her performance direction was that the melodies should be sung 'with the feeling of evoking a past that has remained fresh’.
One biographer has argued that she identified with the subject of the poems, a young girl who is tenderly recalled by the poet. In addition, Creole influences can be discerned in the text, such as the mention of a black Virgin; Jammes (according to his close friend Darius Milhaud) had ancestors from the West Indies. The cycle was dedicated to Gabriel Fauré and eight of the songs were orchestrated by her. It is approximately 35 minutes long.
Alongside much choral music and an incomplete opera, Boulanger also wrote the song ‘Le Retour’ for mezzo-soprano and piano, which she also arranged for SATB choir; and ‘Dans l‘immense tristesse’ for alto and piano to a text by Bertha Galeron de Calone, a poet who lost her sight and hearing. Both songs were republished in 1979.
© Natasha Loges, 2022
See Full Entry
Sorry, no further description available.
Previously performed at:
- 19 Mar 2022: Mary Bevan & Anna Tilbrook: Voyages (dans la lumière)
-
- 21 Oct 2018: Debussy & Boulanger: Wolfgang Holzmair & Roger Vignoles
-
Le Retour
The Return
If you would like to use our texts and translations, please click here for more information.
Composer
Lili Boulanger (1893-1918) is often described as one of the most gifted composers of the twentieth century, however, her promise was cut short by early death. She achieved a degree of posthumous renown which is exceptional among women composers.
Together with her older sister Nadia, she was born into a musical family, showed early talent and received an outstanding musical education. She received lessons in organ, piano accompaniment and harmony and played the violin, cello, harp and piano.
Despite an early diagnosis of bronchial pneumonia and constant illness, she was the first woman to win the coveted Prix de Rome aged 19. Her visit to the city was soon interrupted by World War I. She returned for a few months in 1916 but was often bedridden by illness. After an operation that brought only a temporary reprieve, Boulanger focused on completing what she could before her death aged 24. 24 of 64 surviving works were published, and much of what remains is incomplete, in sketch form or lost. Religious music was especially important to her.
Boulanger left a significant contribution to song in Clairières dans le ciel, a cycle of thirteen settings of deeply reflective texts by her contemporary Francis Jammes. The poems are steeped in nostalgia and yearning, and replete with evocative natural symbols such as flowers and birds. The resultant avant-garde, luminous musical style is very distant from the salon world many contemporaries favoured. Her performance direction was that the melodies should be sung 'with the feeling of evoking a past that has remained fresh’.
One biographer has argued that she identified with the subject of the poems, a young girl who is tenderly recalled by the poet. In addition, Creole influences can be discerned in the text, such as the mention of a black Virgin; Jammes (according to his close friend Darius Milhaud) had ancestors from the West Indies. The cycle was dedicated to Gabriel Fauré and eight of the songs were orchestrated by her. It is approximately 35 minutes long.
Alongside much choral music and an incomplete opera, Boulanger also wrote the song ‘Le Retour’ for mezzo-soprano and piano, which she also arranged for SATB choir; and ‘Dans l‘immense tristesse’ for alto and piano to a text by Bertha Galeron de Calone, a poet who lost her sight and hearing. Both songs were republished in 1979.
© Natasha Loges, 2022
See Full Entry
Sorry, no further description available.
Previously performed at:
- 19 Mar 2022: Mary Bevan & Anna Tilbrook: Voyages (dans la lumière)
- 21 Oct 2018: Debussy & Boulanger: Wolfgang Holzmair & Roger Vignoles