Skip to main content



Ist alls zu End das Freudenmahl (1911)

Part of a series or song cycle:

Sechs Monologe aus Jedermann 

Ist alls zu End das Freudenmahl

Ist alls zu End das Freudenmahl,
Und alle fort aus meinem Saal ?
Bleibt mir keine andre Hilfe dann,
Bin ich denn ein verlorner Mann ?
Und ganz alleinig in der Welt,
Ist es schon so um mich bestellt,
Hat mich Der schon dazu gemacht,
Ganz nackend und ohn alle Macht,
Als läg ich schon in meinem Grab,
Wo ich doch mein warm Blut noch hab
Und Knecht mir noch gehorsam sein
Und Häuser viel und Schätze mein.
Auf ! Schlagt die Feuerglocken drein !
Ihr Knecht, nit lungert in dem Haus.
Kommt allesamt zu mir heraus !
Ich muss schnell eine Reise tun
Und das zu Fuss und nit zu Wagen,
Gesammte Knecht, die sollen mit
Und meine grosse Geldtruhen,
Die sollen sie herbeitragen.
Die Reis wird wie ein Kriegszug scharf,
Dass ich der Schätze sehr bedarf.

Is the banquet now all over

Is the banquet now all over,
Has everyone left my hall?
Is there no other help for me,
Am I a lost soul?
And am I quite alone in the world?
Has my fate already been sealed,
Has He reduced me to this state,
Quite naked and deprived of power,
As if I were already in my grave,
Even though my blood's still warm
And my servants still obedient
And my houses and wealth still mine?
Get up! Sound the fire-bell!
Servants, stop idling about the house,
Come out to me, each one of you!
I've a journey to make without delay,
On foot, though, and not by carriage,
All my servants shall come with me
And they shall bring out
My vast treasure chests.
This journey will be as harsh as a battle,
So I shall have great need of my treasure.
Translation © Richard Stokes, author of The Book of Lieder (Faber, 2005)

If you would like to use our texts and translations, please click here for more information.


Frank Martin was a Swiss composer, who lived a large part of his life in the Netherlands.

See Full Entry


Hugo Laurenz August Hofmann von Hofmannsthal (1 February 1874 – 15 July 1929) was an Austrian prodigy, a novelist, librettist, poet, dramatist, narrator, and essayist. He became internationally famous through his work with Richard Strauss.

The only child of a bank director, Hofmannsthal studied law at Vienna. At 16 he published his first poems, under the pseudonym Loris. They created a stir in Vienna and in Germany with their lyrical beauty, magic evocativeness of language, and dreamlike quality. Their anticipation of mature experience and formal virtuosity seem incredible in one so young. After his year of compulsory military service, he studied Romance philology with a view to an academic career but in 1901 married and became a free-lance writer.

Between 1891 and 1899 Hofmannsthal wrote a number of short verse plays, influenced by the static dramas of the Belgian writer Maurice Maeterlinck, the dramatic monologues of the English Romantic poet Robert Browning, and the proverbes dramatiques of the French poet Alfred de Musset. Of the same exquisite beauty as the poems, these playlets are lyric reflections on appearance and reality, transience and timelessness, and continuity and change within the human personality—themes constantly recurring in his later works. After the turn of the century, however, Hofmannsthal renounced purely lyrical forms in his essay “Ein Brief” (also called “Chandos Brief,” 1902). This essay was more than the revelation of a personal predicament; it has come to be recognized as symptomatic of the crisis that undermined the esthetic Symbolist movement of the end of the century. You can read it here in German or English. 

Read more about Hofmannsthal, as well as some of his poetry in English, here. You can find an extensive collection of his poetry in the original German here, on 

Information taken from Wikipedia and Encycolpedia Brittanica. For the full Wikipedia article, click here. For the full Encyclopedia Brittannica entry, click here.

See Full Entry

Sorry, no further description available.

Previously performed at:

(As part of a song cycle/series:)

Mailing List