Songs

Robert Schumann

Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.

Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Kinderszenen, Album für die Jugend, Blumenstück, the Sonatas and Albumblätter are among his most famous. His writings about music appeared mostly in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication which he jointly founded.

In 1840, Schumann married Friedrich Wieck's daughter Clara, against the wishes of her father, following a long and acrimonious legal battle, which found in favor of Clara and Robert. Clara also composed music and had a considerable concert career as a pianist, the earnings from which formed a substantial part of her father's fortune.

Schumann suffered from a lifelong mental disorder, first manifesting itself in 1833 as a severe melancholic depressive episode, which recurred several times alternating with phases of ‘exaltation’ and increasingly also delusional ideas of being poisoned or threatened with metallic items. After a suicide attempt in 1854, Schumann was admitted to amental asylum, at his own request, in Endenich near Bonn. Diagnosed with "psychotic melancholia", Schumann died two years later in 1856 without having recovered from his mental illness.

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Johann Jacobi

Johann Georg Jacobi was a German poet.
The elder brother of the philosopher Friedrich Heinrich Jacobi, Johann Georg was born at Pempelfort near Düsseldorf. He studied theology at Göttingen and jurisprudence at Helmstedt, and was appointed, in 1766, professor of philosophy in Halle. In this year he made the acquaintance of J. W. L. Gleim, who, attracted by the young poets Poetische Versuche (1764), became his friend. A lively literary correspondence ensued between Gleim in Halberstadt and Jacobi in Halle. In order to have Jacobi near him, Gleim succeeded in procuring for him a prebendal stall at the cathedral of Halberstadt in 1769, and here Jacobi issued a number of anacreontic lyrics and sonnets that were not at all appreciated by the intellectuals of his time. Herder called Jacobi's anacreontic poetry tasteless nonsense, Goethe criticised the jingling verses as only impressing women, and Lichtenberg ridiculed Jacobi as a doctorem jubilatum.

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