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Die Hochländer-Witwe (1840) Op. 25 no.10

Part of a series or song cycle:

Myrthen (Op. 25)

Die Hochländer-Witwe

Ich bin gekommen ins Niederland,
O weh! O weh! O weh!
So ausgeplündert haben sie mich,
Dass ich vor Hunger vergeh!
So war’s in meinem Hochland nicht;
O weh! O weh! O weh!
Ein hochbeglücktes Weib,
Als ich, war nicht auf Tal und Höh!
Denn damals hatt’ ich zwanzig Küh’;
O weh! O weh! O weh!
Die gaben Milch und Butter mir,
Und weideten im Klee.
Und sechzig Schafe hatt’ ich dort;
O weh! O weh! O weh!
Die wärmten mich mit weichem Vliess
Bei Frost und Winterschnee.
Es konnte Kein’ im ganzen Clan
Sich grössern Glückes freu’n;
Denn Donald war der schönste Mann,
Und Donald, der war mein!
So blieb’s, bis Charlie Stuart kam,
Alt-Schottland zu befrei’n;
Da musste Donald seinen Arm
Ihm und dem Lande leih’n.
Was sie befiel, wer weiss es nicht?
Dem Unrecht wich das Recht,
Und auf Cullodens blut’gem Feld
Erlagen Herr und Knecht.
O! Dass ich kam ins Niederland!
O weh! O weh! O weh!
Nun gibt’s kein unglücksel’ger Weib
Vom Hochland bis zur See!

The Highland Widow

Oh I am come to the low Countrie,
Ochon, Ochon, Ochrie!
Without a penny in my purse,
To buy a meal for me.—
It was na sae in the Highland hills,
Ochon, Ochon, Ochrie!
Nae woman in the Country wide
Sae happy was as me.—
For then I had a score o’ kye,
Ochon, Ochon, Ochrie!
Feeding on you hill sae high
And giving milk to me.—
And there I had three score of ’ yowes,
Ochon, Ochon, Ochrie!
Skipping on yon bonie knows,
And casting woo to me.—
I was the happiest of a’ the Clan,
Sair, sair may I repine,
For Donald was the brawest man,
And Donald he was mine.—
Till Charlie Stewart cam at last,
Sae fair to set us free;
My Donald’s arm was wanted then,
For Scotland and for me.—
There waefu’ fate what need I tell,
Right to the wrang died yield;
My Donald and his Country fell.
Upon Culloden field.—
Ochon! O Donald, oh!
Ochon, Occon, Ochrie!
Naw woman in the warld wide,
Sae wretched now as me.—

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Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.

Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as KinderszenenAlbum für die JugendBlumenstück, the Sonatas and Albumblätter are among his most famous. His writings about music appeared mostly in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication which he jointly founded.

In 1840, Schumann married Friedrich Wieck's daughter Clara, against the wishes of her father, following a long and acrimonious legal battle, which found in favor of Clara and Robert. Clara also composed music and had a considerable concert career as a pianist, the earnings from which formed a substantial part of her father's fortune.

Schumann suffered from a lifelong mental disorder, first manifesting itself in 1833 as a severe melancholic depressive episode, which recurred several times alternating with phases of ‘exaltation’ and increasingly also delusional ideas of being poisoned or threatened with metallic items. After a suicide attempt in 1854, Schumann was admitted to amental asylum, at his own request, in Endenich near Bonn. Diagnosed with "psychotic melancholia", Schumann died two years later in 1856 without having recovered from his mental illness.

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Robert Burns , also known as Rabbie Burns, the Bard of Ayrshire and various other names and epithets, was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is also in English and a light Scots dialect, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest.

He is regarded as a pioneer of the Romantic movement, and after his death he became a great source of inspiration to the founders of both liberalism and socialism, and a cultural icon in Scotland and among the Scottish diaspora around the world. Celebration of his life and work became almost a national charismatic cult during the 19th and 20th centuries, and his influence has long been strong on Scottish literature. In 2009 he was chosen as the greatest Scot by the Scottish public in a vote run by Scottish television channel STV.

As well as making original compositions, Burns also collected folk songs from across Scotland, often revising or adapting them. His poem (and song) "Auld Lang Syne" is often sung at Hogmanay (the last day of the year), and "Scots Wha Hae" served for a long time as an unofficial national anthem of the country. Other poems and songs of Burns that remain well known across the world today include "A Red, Red Rose", "A Man's a Man for A' That", "To a Louse", "To a Mouse", "The Battle of Sherramuir", "Tam o' Shanter" and "Ae Fond Kiss".

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