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Songs

Der frohe Wandersmann (1840) Op.77 no.1


Part of a series or song cycle:

Lieder und Gesänge, iii (Op.77)


Der frohe Wandersmann

Wem Gott will rechte Gunst erweisen,
Den schickt er in die weite Welt,
Dem will er seine Wunder weisen
In Berg und Wald und Strom und Feld.
Die Trägen, die zu Hause liegen,
Erquicket nicht das Morgenrot,
Sie wissen nur vom Kinderwiegen,
Von Sorgen, Last und Not um Brot.
Die Bächlein von den Bergen springen,
Die Lerchen schwirren hoch vor Lust,
Was sollt’ ich nicht mit ihnen singen
Aus voller Kehl’ und frischer Brust.
Den lieben Gott nur laß’ ich walten;
Der Bächlein, Lerchen, Wind und Feld,
Und Erd’ und Himmel will erhalten,
Hat auch mein Sach’ aufs Best’ bestellt.

The happy Wanderer

He whom God would show true favour,
He sends him out into the wide world
And points out His miracles
In mountain and wood and river and field.
The indolent ones who laze at home
Are not refreshed by the dawn;
They only know about rearing children,
About cares, burdens and the need for bread.
The brooklets spring from the mountains,
The larks whirr high with pleasure;
Why should I not sing with them
With full throat and fresh spirit?
I let dear God alone prevail;
He who sustains brook, lark, wind and field,
And earth and sky,
Has also ordered my life for the best.
Translations by Richard Stokes, author of The Book of Lieder (Faber, 2005)

Composer

Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.

Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as KinderszenenAlbum für die JugendBlumenstück, the Sonatas and Albumblätter are among his most famous. His writings about music appeared mostly in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication which he jointly founded.

In 1840, Schumann married Friedrich Wieck's daughter Clara, against the wishes of her father, following a long and acrimonious legal battle, which found in favor of Clara and Robert. Clara also composed music and had a considerable concert career as a pianist, the earnings from which formed a substantial part of her father's fortune.

Schumann suffered from a lifelong mental disorder, first manifesting itself in 1833 as a severe melancholic depressive episode, which recurred several times alternating with phases of ‘exaltation’ and increasingly also delusional ideas of being poisoned or threatened with metallic items. After a suicide attempt in 1854, Schumann was admitted to amental asylum, at his own request, in Endenich near Bonn. Diagnosed with "psychotic melancholia", Schumann died two years later in 1856 without having recovered from his mental illness.

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Poet

Joseph Freiherr von Eichendorff was a German poet, novelist, playwright, literary critic, translator, and anthologist. Eichendorff was one of the major writers and critics of Romanticism. Ever since their publication and up to the present day, some of his works have been very popular in Germany.

Eichendorff first became famous for his novella Aus dem Leben eines Taugenichts (Memoirs of a Good-For-Nothing) and his poems. The Memoirs of a Good-For-Nothing, a typical romantic novella, whose main themes are wanderlust and love. The protagonist, the son of a miller, rejects his father's trade and becomes a gardener at a Viennese palace where he subsequently falls in love with the local duke's daughter. As, with his lowly status, she is unattainable for him, he escapes to Italy - only to return and learn that she is the duke's adopted daughter, and thus within his social reach. With its combination of dream world and realism, Memoirs of a Good-For-Nothing is considered to be a high point of Romantic fiction. One critic stated that "Eichendorff’s 'Good-For-Nothing' is the "personification of love of nature and an obsession with hiking." Thomas Mann called Eichendorff's Good-For-Nothing a combination of "the purity of the folk song and the fairy tale."

Many of Eichendorff's poems were first published as integral parts of his novellas and stories, where they are often performed in song by one of the protagonists. The novella Good-For-Nothing alone contains 54 poems.

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