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Un pavillon à claires-voies
Abrite doucement nos joies
Qu'éventent des rosiers amis;
L'odeur des roses, faible, grâce
Au vent léger d'été qui passe,
Se mêle aux parfums qu'elle a mis ;
Comme ses yeux l'avaient promis,
Son courage est grand et sa lèvre
Communique une exquise fièvre ;
Et l'Amour comblant tout, hormis
La Faim, sorbets et confitures
Nous préservent des courbatures.


The latticed arbour
Tenderly hides our ecstasy
The friendly rose trees cool;
The faint scent of roses,
Thanks to the summer breeze that blows,
Blends with the perfume she wears;
As her eyes promised –
She is fearless and her lips
Communicate an exquisite fever;
And Love, having sated all, except
Hunger – sherbets and preserves
Keep our bodies from aching.

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Poldowski was the professional pseudonym of a Belgian-born British composer and pianist born Régine Wieniawski, daughter of the Polish violinist and composer Henryk Wieniawski. Some of her early works were published under the name Irène Wieniawska.

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Paul-Marie Verlaine was a French poet associated with the Symbolist movement. He is considered one of the greatest representatives of the fin de siècle in international and French poetry.
Born in Metz, Verlaine was educated at the Lycée Impérial Bonaparte (now the Lycée Condorcet) in Paris and then took up a post in the civil service. He began writing poetry at an early age, and was initially influenced by the Parnassien movement and its leader, Leconte de Lisle. Verlaine's first published poem was published in 1863 in La Revue du progrès, a publication founded by poet Louis-Xavier de Ricard. Verlaine was a frequenter of the salon of the Marquise de Ricard (Louis-Xavier de Ricard's mother) at 10 Boulevard des Batignolles and other social venues, where he rubbed shoulders with prominent artistic figures of the day: Anatole France, Emmanuel Chabrier, inventor-poet and humorist Charles Cros, the cynical anti-bourgeois idealist Villiers de l'Isle-Adam, Théodore de Banville, François Coppée, Jose-Maria de Heredia, Leconte de Lisle, Catulle Mendes and others. Verlaine's first published collection, Poèmes saturniens (1866), though adversely commented upon by Sainte-Beuve, established him as a poet of promise and originality.

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