
Songs
Mandoline
Mandoline
Les donneurs de sérénadesEt les belles écouteusesÉchangent des propos fadesSous les ramures chanteuses.C’est Tircis et c’est Aminte,Et c’est l’éternel Clitandre,Et c’est Damis qui pour mainteCruelle fait maint vers tendre.Leurs courtes vestes de soie,Leurs longues robes à queues,Leur élégance, leur joieEt leurs molles ombres bleues.Tourbillonnent dans l’extaseD’une lune rose et grise,Et la mandoline jaseParmi les frissons de brise.
Mandoline
The gallant serenadersand their fair listenersexchange sweet nothingsbeneath singing boughs.Tirsis is there, Aminte is there,and tedious Clitandre too,and Damis who for many a cruel maidwrites many a tender song.Their short silken doublets,their long trailing gowns,their elegance, their joy,and their soft blue shadows.Whirl madly in the raptureof a grey and roseate moon,and the mandolin jangles onin the shivering breeze.
If you would like to use our texts and translations, please click here for more information.
Composer
Poldowski was the professional pseudonym of a Belgian-born British composer and pianist born Régine Wieniawski, daughter of the Polish violinist and composer Henryk Wieniawski. Some of her early works were published under the name Irène Wieniawska.
See Full Entry
Poet
Paul-Marie Verlaine was a French poet associated with the Symbolist movement. He is considered one of the greatest representatives of the fin de siècle in international and French poetry.
Born in Metz, Verlaine was educated at the Lycée Impérial Bonaparte (now the Lycée Condorcet) in Paris and then took up a post in the civil service. He began writing poetry at an early age, and was initially influenced by the Parnassien movement and its leader, Leconte de Lisle. Verlaine's first published poem was published in 1863 in La Revue du progrès, a publication founded by poet Louis-Xavier de Ricard. Verlaine was a frequenter of the salon of the Marquise de Ricard (Louis-Xavier de Ricard's mother) at 10 Boulevard des Batignolles and other social venues, where he rubbed shoulders with prominent artistic figures of the day: Anatole France, Emmanuel Chabrier, inventor-poet and humorist Charles Cros, the cynical anti-bourgeois idealist Villiers de l'Isle-Adam, Théodore de Banville, François Coppée, Jose-Maria de Heredia, Leconte de Lisle, Catulle Mendes and others. Verlaine's first published collection, Poèmes saturniens (1866), though adversely commented upon by Sainte-Beuve, established him as a poet of promise and originality.
Taken from Wikipedia. To view the full article, please click here.
See Full Entry
Sorry, no further description available.
Previously performed at:
Mandoline
Mandoline
If you would like to use our texts and translations, please click here for more information.
Composer
Poldowski was the professional pseudonym of a Belgian-born British composer and pianist born Régine Wieniawski, daughter of the Polish violinist and composer Henryk Wieniawski. Some of her early works were published under the name Irène Wieniawska.
See Full Entry
Poet
Paul-Marie Verlaine was a French poet associated with the Symbolist movement. He is considered one of the greatest representatives of the fin de siècle in international and French poetry.
Born in Metz, Verlaine was educated at the Lycée Impérial Bonaparte (now the Lycée Condorcet) in Paris and then took up a post in the civil service. He began writing poetry at an early age, and was initially influenced by the Parnassien movement and its leader, Leconte de Lisle. Verlaine's first published poem was published in 1863 in La Revue du progrès, a publication founded by poet Louis-Xavier de Ricard. Verlaine was a frequenter of the salon of the Marquise de Ricard (Louis-Xavier de Ricard's mother) at 10 Boulevard des Batignolles and other social venues, where he rubbed shoulders with prominent artistic figures of the day: Anatole France, Emmanuel Chabrier, inventor-poet and humorist Charles Cros, the cynical anti-bourgeois idealist Villiers de l'Isle-Adam, Théodore de Banville, François Coppée, Jose-Maria de Heredia, Leconte de Lisle, Catulle Mendes and others. Verlaine's first published collection, Poèmes saturniens (1866), though adversely commented upon by Sainte-Beuve, established him as a poet of promise and originality.
Taken from Wikipedia. To view the full article, please click here.
See Full Entry
Sorry, no further description available.