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Wenn der letzte Saum des Tages (1852)

Part of a series or song cycle:

Fünf Gedichte aus 'Bilder des Orients'

Wenn der letzte Saum des Tages

Wenn der letzte Saum des Tages
In den Arm der Nacht gesunken
Und der Ruf der zehnten Stunde
Von dem Minaret erschallt;
Dann im Laubengang der Myrthen,
Wo die rothen Rosen duften,
Darfst du meine Küsse fragen,
Ob dir Fatme nahe sey.

When the day’s last fringe

When the day’s last fringe
Has sunk into the arm of night,
And the cry of the tenth hour
Has sounded from the minaret;
Then in the pergola of myrtle,
Where red roses shed their fragrance,
You can ask my kisses
Whether or not Fatme is near.

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Niels Wilhelm Gade(22 February 1817 – 21 December 1890) was a Danish composer, conductor, violinist, organist and teacher. He is considered the most important Danish musician of his day.

Gade was born in Copenhagen, the son of a joiner and instrument maker. He began his career as a violinist with the Royal Danish Orchestra, and saw his concert overture Efterklange af Ossian ("Echoes of Ossian") premiered with them in 1841. When his first symphony was turned down for performance in Copenhagen, he sent it to Felix Mendelssohn. Mendelssohn received the work positively, and conducted it in Leipzig in March 1843, to enthusiastic public reaction. Supported by a fellowship from the Danish government, Gade himself moved to Leipzig, teaching at the Conservatory there, working as an assistant conductor of the Gewandhause Orchestra, and befriending Mendelssohn, who had an important influence on his music. In 1845 he conducted the premiere performance of Mendelssohn's Violin Concerto in E minor. He also became friends with Robert Schumann. In Copenhagen Niels Gade became acquainted with the composer Cornelius Gurlitt, and they remained friends until the latter's death.

At Mendelssohn’s death in 1847, Gade was appointed to his position as chief conductor but was forced to return to Copenhagen in the spring of 1848 when war broke out between Prussia and Denmark.

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