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Ich hab’ in deinem Auge (1844) Op.13 no.5


Part of a series or song cycle:

Sechs Lieder (Op.13)


Ich hab’ in deinem Auge

Ich hab’ in deinem Auge
Den Strahl der ewigen Liebe gesehen,
Ich sah auf deinen Wangen
Einmal die Rosen des Himmels stehn.
Und wie der Strahl im Aug’ erlischt
Und wie die Rosen zerstieben,
Ihr Abglanz ewig neu erfrischt,
Ist mir im Herzen geblieben,
Und niemals werd’ ich die Wangen seh’n
Und nie in’s Auge dir blicken,
So werden sie mir in Rosen steh’n
Und es den Strahl mir schicken.

I saw in your eyes

I saw in your eyes
The ray of eternal love,
I saw on your cheeks
The roses of heaven.
And as the ray dies in your eyes,
And as the roses scatter,
Their reflection, forever new,
Has remained in my heart,
And never will I look at your cheeks,
And never will I gaze into your eyes,
And not see the glow of roses,
And the ray of love.
Translations by Richard Stokes, author of The Book of Lieder (Faber, 2005)

Composer

Clara Schumann, née Clara Josephine Wieck, was a German musician and composer, consider by many to be one of the most disguished composers of the Romantic era. She composed a large body of work, including various piano concertos, chamber works, and choral pieces. She was married to Robert Schumann, and maintained a close relationship with Johannes Brahms.

 

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Poet

Friedrich Rückert was a German poet, translator, and professor of Oriental languages.

Rückert was born at Schweinfurt and was the eldest son of a lawyer. He was educated at the local Gymnasium and at the universities of Würzburg and Heidelberg. From 1816–1817, he worked on the editorial staff of the Morgenblatt at Stuttgart. Nearly the whole of the year 1818 he spent in Rome, and afterwards he lived for several years at Coburg (1820–1826). Rückert married Luise Wiethaus-Fischer there in 1821. He was appointed a professor of Oriental languages at the University of Erlangen in 1826, and, in 1841, he was called to a similar position in Berlin, where he was also made a privy councillor. In 1849 he resigned his professorship at Berlin, and went to live full-time in his Gut (estate) at Neuses (now a part of Coburg).

When Rückert began his literary career, Germany was engaged in her life-and-death struggle with Napoleon; and in his first volume, Deutsche Gedichte (German Poems), published in 1814 under the pseudonym Freimund Raimar, he gave, particularly in the powerful Geharnischte Sonette (Sonnets in Arms/Harsh Words), vigorous expression to the prevailing sentiment of his countrymen. During 1815 to 1818 appeared Napoleon, eine politische Komödie in drei Stücken (Napoleon, a Political Comedy in Three Parts) of which only two parts were published; and in 1817 Der Kranz der Zeit (The Wreath of Time).

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