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Aufenthalt D957e

Part of a series or song cycle:

Schwanengesang (D957)


Rauschender Strom, brausender Wald,
Starrender Fels mein Aufenthalt.
Wie sich die Welle an Welle reiht,
Fliessen die Tränen mir ewig erneut.
Hoch in den Kronen wogend sich’s regt,
So unaufhörlich mein Herze schlägt.
Und wie des Felsen uraltes Erz
Ewig deselbe bleibet mein Schmerz.

Resting place

Surging river, roaring forest,
immovable rock, my resting place.
As wave follows wave,
so my tears flow, ever renewed.
As the high treetops stir and heave,
so my heart beats incessantly.
Like the rock’s age-old ore
my sorrow remains forever the same.
Translations by Richard Wigmore first published by Gollancz and reprinted in the Hyperion Schubert Song Edition

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Franz Peter Schubert was an late Classical and early Romantic composer. He produced a vast oeuvre during his short life, composing more the 600 vocal works (largely Lieder), and well as several symphonies, operas, and a large body of piano music. He was uncommonly gifted from a young age, but appreciation of his music was limited during his lifetime. His work became more popular in the decades after his death, and was praised by 19th century composers, including Mendelssohn, Schumann, Brahms, and Liszt.

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Heinrich Friedrich Ludwig Rellstab was a German poet and music critic. He was born and died in Berlin. He was the son of the music publisher and composer Johann Carl Friedrich Rellstab. An able pianist, he published articles in various periodicals, including the influential liberal Vossische Zeitung, and launched the music journal Iris im Gebiete der Tonkunst, which was published in Berlin from 1830 to 1841. His outspoken criticism of the influence in Berlin of Gaspare Spontini landed him in jail in 1837.

Rellstab had considerable influence as a music critic and, because of this, had some power over what music could be used for German nationalistic purposes in the mid-nineteenth century. Because he had "an effective monopoly on music criticism" in Frankfurt and the popularity of his writings, Rellstab's approval would have been important for any musician's career in areas in which German nationalism was present.

The first seven songs of Franz Schubert's Schwanengesang have words by Rellstab, who had left them in 1825 with Beethoven, whose assistant Anton Schindler passed them on to Schubert. His work was also set to music by Franz Liszt.

He is also known to have given Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27/2 its famous nickname Moonlight Sonata.

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