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Songs

Songs

In der Ferne D957f


Part of a series or song cycle:

Schwanengesang (D957)


In der Ferne

Wehe dem Fliehenden
Welt hinaus ziehenden! –
Fremde durchmessenden,
Heimat vergessenden,
Mutterhaus hassenden,
Freunde verlassenden
Folget kein Segen, ach!
Auf ihren Wegen nach!
Herze, das sehnende,
Auge, das tränende,
Sehnsucht, nie endende,
Heimwärts sich wendende!
Busen, der wallende,
Klage, verhallende,
Abendstern, blinkender,
Hoffnungslos sinkender!
Lüfte, ihr säuselnden,
Wellen sanft kräuselnden,
Sonnenstrahl, eilender,
Nirgend verweilender:
Die mir mit Schmerze, ach!
Dies treue Herze brach –
Grüsst von dem Fliehenden
Welt hinaus ziehenden!

Far away

Woe to those who flee,
who journey forth into the world,
who travel through strange lands,
forgetting their native land,
spurning their mother’s home,
forsaking their friends:
alas, no blessing follows them
on their way!
The yearning heart,
the tearful eye,
endless longing
turning homewards!
The surging breast,
the dying lament,
the evening star, twinkling
and sinking without hope!
Whispering breezes,
gently ruffled waves,
darting sunbeams,
lingering nowhere:
send her, who broke
my faithful heart with pain,
greetings from one who is fleeing
and journeying forth into the world!
Translations by Richard Wigmore first published by Gollancz and reprinted in the Hyperion Schubert Song Edition

Composer

Franz Peter Schubert was an late Classical and early Romantic composer. He produced a vast oeuvre during his short life, composing more the 600 vocal works (largely Lieder), and well as several symphonies, operas, and a large body of piano music. He was uncommonly gifted from a young age, but appreciation of his music was limited during his lifetime. His work became more popular in the decades after his death, and was praised by 19th century composers, including Mendelssohn, Schumann, Brahms, and Liszt.

Information from Wikipedia. Read more here.


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Poet

Heinrich Friedrich Ludwig Rellstab was a German poet and music critic. He was born and died in Berlin. He was the son of the music publisher and composer Johann Carl Friedrich Rellstab. An able pianist, he published articles in various periodicals, including the influential liberal Vossische Zeitung, and launched the music journal Iris im Gebiete der Tonkunst, which was published in Berlin from 1830 to 1841. His outspoken criticism of the influence in Berlin of Gaspare Spontini landed him in jail in 1837.

Rellstab had considerable influence as a music critic and, because of this, had some power over what music could be used for German nationalistic purposes in the mid-nineteenth century. Because he had "an effective monopoly on music criticism" in Frankfurt and the popularity of his writings, Rellstab's approval would have been important for any musician's career in areas in which German nationalism was present.

The first seven songs of Franz Schubert's Schwanengesang have words by Rellstab, who had left them in 1825 with Beethoven, whose assistant Anton Schindler passed them on to Schubert. His work was also set to music by Franz Liszt.

He is also known to have given Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27/2 its famous nickname Moonlight Sonata.

Taken from Wikipedia. To view the full article, please click here.


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